WE ARE NATURE is an immersive audio-driven film that asks you to listen. Why is it that BPoC communities in the UK do not feel like they belong in the outdoors?

The Campaign to Protect Rural England studies show only 1% of visitors to UK National Parks come from “Black, Asian and Minority Ethnic backgrounds”.

A recent report from the Runnymede Trust addressed systemic racism in England, its criminal justice system, education, health and employment. While this inequality is often examined in cities, how often do we consider the exclusivity of the natural world?

At a time when reconnecting with nature has never seemed so important, this film asks the question - is the British outdoors for everyone?

The film is based on audio interviews taken from a group of BPoC women outdoor activists who are changing the story.

It is an emotional response, a poetic and hybrid film consciously working to break stereotypes, acknowledge trauma without retraumatising the audience and inspire a new lens on the British outdoors.

Their unfolding experiences weave together a wider, lyrical narrative of community and shared history. It is a story of reconnection and reclamation – showing gentle activism breaking the status quo to forge a new British landscape.

Working in an intimate BPoC female and non-binary team with a black and a white co-director/co-producer the film seeks to present a new lens on deep-rooted issues in the UK outdoors, to an inclusive audience.

Sinus searches for his missing twin; Möbius. Befriending Hiccup, a cool-headed vagabond, the pair set off on the quest, eventually stumbling into ‘The Garden’. Amongst the topiary, they meet a band of whimsical characters; Queenie, Rebel, and the Fool - who join the search for his twin.

At the door of an ancient forest, Sinus loses his newfound friends, and descends into a frenzied trip towards the depths of his psyche. Blind wizards, clouds of bees, and giddy demons - all manner of evils await him in the shadows. In this darkness, will he ever find the elusive Möbius?

There are no words to truly signify the beauty that exists within a singular moment.

The Ultimate Samsara is a fashion film that explores the authenticity of digital identity in ancient Chinese rituals, and portrays digital fantasia between folktale, metaverse and reincarnation. It is an exploration of hybrid Chinese culture, fashion and identity; Using a 3D space to express the connection between Chinese traditional culture and modern society on cultural responsibility. Investigate self-identity in the metaverse via digital reincarnation and ancient Nuo dance.

This documentary is about an artistic journey of Aida Redza, a muslim female contemporary dancer from Malaysia, and how she created a dance performance site by growing the paddy plot from scratch during the COVID-19 pandemic in late October of 2020. She is famous for creating collaborative multidisciplinary works involving rice. Aida and her co-collaborators participated in the different phases of the paddy’s life-cycle and finally created a dance performance out of this process.

Iggy, is dealing with the recent tragic loss of someone she hasn’t known for long enough to call her partner, but someone who without looking for it, became important enough become her entire world for that brief moment in time.

The greatest thing Iggy ever met, before anyone else knew it. Her favourite thing, taken away before she could ever truly understand her. Iggy is now left to try and emotionally connect the dots between all that happened all too quickly.

The four elements earth, air, fire and water, meet together in an ancient forest to celebrate midsummer. Their lives change forever as they are polluted by the new world around them.