"Yn yr Hen Orllewin, mae mab sy'n chwilio enaid yn dychwelyd adref i achub ei fam anffodus"
"Y flwyddyn yw 1899. Mae Rosa May, cyn madam, yn byw ar ei phen ei hun mewn caban anghysbell - y cyfan sy'n weddill o'i bywyd hudolus, sydd bellach wedi'i chwalu ers tro.
“Mae Out on a Limb yn dro gwreiddiol ar y Western clasurol. Myfyrdod craff a deniadol ar ddod i delerau â’n gorffennol treisgar wrth greu ffordd newydd gyda dylanwadau’r Dwyrain, rwy’n gwarantu nad ydych erioed wedi gweld ffilm fer neu Western fel hon o’r blaen.”
Chad Byrnes
Beirniadaeth ar gyfer LA Weekly a Village Voice
"Y flwyddyn yw 1899. Mae Rosa May, cyn madam, yn byw ar ei phen ei hun mewn caban anghysbell - y cyfan sy'n weddill o'i bywyd hudolus, sydd bellach wedi'i chwalu ers tro.
“Mae Out on a Limb yn dro gwreiddiol ar y Western clasurol. Myfyrdod craff a deniadol ar ddod i delerau â’n gorffennol treisgar wrth greu ffordd newydd gyda dylanwadau’r Dwyrain, rwy’n gwarantu nad ydych erioed wedi gweld ffilm fer neu Western fel hon o’r blaen.”
Chad Byrnes
Beirniadaeth ar gyfer LA Weekly a Village Voice
“The year is 1899. Rosa May, a former madam, lives alone in a remote cabin--all that remains of her once glamorous, now long shattered life. Her son Jonah is a reformed cowboy/outlaw who has been processing the trauma of his family under the tutelage of Swami Vivekananda. After a winter away in the sunny boom town of Los Angeles, Jonah returns home with a plan to rescue his mother from her isolation and misery."
“Out on a Limb is an original twist on the classic Western. A smart and engaging meditation on coming to terms with our violent pasts while forging a new road with Eastern influences, I guarantee you’ve never seen a short film or Western like this before.”
Chad Byrnes
Critic for LA Weekly and Village Voice
“Out on a Limb is an original twist on the classic Western. A smart and engaging meditation on coming to terms with our violent pasts while forging a new road with Eastern influences, I guarantee you’ve never seen a short film or Western like this before.”
Chad Byrnes
Critic for LA Weekly and Village Voice
