On a quiet evening in the South Wales valleys, Emma (Rachel Isaac) settles in for the night when she receives a call from her
son Dylan (Ffred Hayes), a nineteen-year-old student returning home after a night out in Cardiff. Their conversation turns to
fear as Dylan realises, he is being followed by some bullies who tormented him at school.

Across seven escalating phone calls, Emma and her husband Hywel (Huw Rhys) listen helplessly as her son’s situation spirals into danger as he’s pursued.

Jake Wright, fresh out of rehab, tries to acclimate back to normal life by going to his sister's girlfriend's party. There, he meets and starts a relationship with Mia Barrett. Things start smoothly, but as time progresses, Jake finds it harder and harder to stay sober. Running into his previous friend and fellow addict creates conflict and he fears losing everyone he loves. Jake knows he will need to make a choice between his love and staying clean or falling back into his addiction, leaving him at a crossroads of his fate.

Six people, six stories, one home. Pontypool. A small town in South Wales filled with derelict buildings and struggling business. However, six people, tied together with threads that connect their separate stories tell their lives and why they love their home town in this slice of life observational documentary.

The Stork is a character driven comedy that follows well intentioned, but clueless, parents of a queer woman wanting to start a family via artificial insemination using Norwegian semen ordered online – a popular method for queer couples. However, typically, the receipts of said semen tend to sign for their important delivery but on this occasion they’re not in but, (un)luckily, one set of parents are! On delivery, there is a slight altercation that results in the sample being destroyed leaving the delivery driver and parents in a bit of sticky (or rather NOT sticky) situation that needs to be rectified before their daughter returns home. All three characters are on very different pages regarding their plan of action and have very different perspectives when it comes to understanding the queer community – supportive but not necessarily accurate. Through miscommunication and audience the short pushes moral boundaries, questioning how far would a parent go to secure their child’s happiness. We follow the trio as they stumble their way through learning about their daughter’s journey (despite their ignorance) and its complexities - from a place of love. It’s an uplifting, family centred story showcasing the importance of unconditional love of queer people.

In a post-apocalyptic wasteland where survival is a daily struggle, one lone survivor refuses to settle for bland rations and desperation. Armed with scavenged scraps and sheer ingenuity, he transforms survival into an art form—cooking up gourmet dishes in the ruins of a broken world.

28 Days Later meets Jamie Oliver in this gritty, darkly comedic twist on the apocalypse—where hunger sparks creativity, and the kitchen becomes a battleground for hope.

A once-successful artist must revive his career in order to afford his domestic android.